If you’ve ever wanted to see the man behind Jaws, E.T. and Indiana Jones tackle a musical, you’re in luck. Even if you never knew you wanted that, you’re still ...
More than anything else, Aaron Sorkin’s new masquerade-biopic, Being the Ricardos, is a master class in the diminishing returns of what we now call "Sorkinese."...
The Power of the Dog, Jane Campion’s first feature in 12 years, is well worth the wait. A creepingly sinister drama set in 1924, the film is an exceptionally we...
If you’ve seen the previews for Ridley Scott’s House of Gucci and caught wind of the caricatured Italian accents, 80’s soundtrack and star-studded cast, you mig...
Lin-Manuel Miranda's directorial debut, Tick, Tick... Boom! should cement his name as a director. After his Broadway show Hamilton, Miranda burst onto the scree...
Kenneth Branagh’s Belfast, which he wrote and directed, is a sweet, sentimental treatment of a durable cinematic sub-genre: the childhood autobiography.
Bran...
Continuing her recent streak of daring, indelible performances, Kristen Stewart in Spencer is a woman on the verge of a breakdown. Or maybe she’s on the verge o...
In the past few years, Chloe Zhao has established herself as an indie filmmaker with an intimate approach to imagery and tone. Which makes her an interesting ch...
You only have to watch a few seconds of Wes Anderson's The French Dispatch to know who’s pulling the strings. Reminiscent of J.D. Salinger or Anthony Trollope –...
The first thing that hits you watching Todd Haynes' new Velvet Underground movie (currently showing in local theaters and on Apple TV+), is the obviously non-tr...
